No Respect (Record no. 6147)

MARC details
000 -LEADER
fixed length control field 01345 a2200301 4500
001 - CONTROL NUMBER
control field 1135200491
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250317111625.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250312042016GB eng
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781135200497
037 ## - SOURCE OF ACQUISITION
Source of stock number/acquisition Taylor & Francis
Terms of availability GBP 42.99
Form of issue BB
040 ## - CATALOGING SOURCE
Original cataloging agency 01
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title eng
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCC
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JBCT
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code NH
Source thema
072 7# - SUBJECT CATEGORY CODE
Subject category code JFC
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code JFD
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code H
Source bic
072 7# - SUBJECT CATEGORY CODE
Subject category code ART023000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code SOC052000
Source bisac
072 7# - SUBJECT CATEGORY CODE
Subject category code 973.92
Source bisac
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Andrew Ross
245 10 - TITLE STATEMENT
Title No Respect
Remainder of title Intellectuals and Popular Culture
250 ## - EDITION STATEMENT
Edition statement 1
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford
Name of publisher, distributor, etc. Routledge
Date of publication, distribution, etc. 20160916
300 ## - PHYSICAL DESCRIPTION
Extent 288 p
520 ## - SUMMARY, ETC.
Expansion of summary note The intellectual and the popular: Irving Howe and John Waters, Susan Sontag and Ethel Rosenberg, Dwight MacDonald and Bill Cosby, Amiri Baraka and Mick Jagger, Andrea Dworkin and Grace Jones, Andy Warhol and Lenny Bruce. All feature in Andrew Ross's lively history and critique of modern American culture. Andrew Ross examines how and why the cultural authority of modern intellectuals is bound up with the changing face of popular taste in America. He argues that the making of "taste" is hardly an aesthetic activity, but rather an exercise in cultural power, policing and carefully redefining social relations between classes.

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