01890    a2200313   450000500170000000800390001702000220005603700360007804000070011404100080012107200160012907200160014507200160016107200160017707200140019307200130020707200140022007200140023407200140024807200110026207200210027307200210029410000150031524500460033025000060037626000320038230000100041452011520042420250526161924.0250430022025GB                   eng    a9781351975001qEA  bTaylor & FranciscGBP 19.99fBB  a01  aeng7 aJBCT2thema7 aJMAJ2thema7 aMKMT2thema7 aJMAF2thema7 aNH2thema7 aJFD2bic7 aJMAJ2bic7 aMMJT2bic7 aJMAF2bic7 aH2bic7 aPSY0360002bisac7 aPSY0450602bisac1 aGreg Singh10aBlack MirrorbAllegories for the Atomised  a1  aOxfordbRoutledgec20250611  a134 p  bBlack Mirror: Allegories for the Atomised addresses the ways that media and communications technologies shape our relationships with society, with others, and ultimately, with ourselves. The main themes and discussions of this book are inspired by the imaginative storytelling and self-reflecting, wry, textual strategies and representations found in the Channel 4/Netflix global hit, Black Mirror – a key touchstone in popular culture. Moving beyond the conventional parameters of Television Studies scholarship, this book takes an interdisciplinary approach informed through depth- and Self-psychology, Science Fiction Studies, Science and Technology Studies, communitarian ethics, and the Philosophy of Technology. Greg Singh conducts a critical inquiry into those aspects of memory, identity, surveillance, simulation and gamification prevalent in the series, that shape our reality and call into question our assumed notions of personhood. This unique interdisciplinary examination of the cult series will appeal to scholars, students and fans alike in the fields of film and television studies, philosophy, depth and humanistic psychology.