02181    a2200325   450000500170000000800420001702000220005903700360008104000070011704100080012407200150013207200130014707200140016007200150017407200140018907200140020307200150021707200140023207200210024607200210026707200200028810000220030824500520033025000060038226000320038830000100042052013800043070000280181099900170183820250526161933.0250430042021GB        778           eng    a9780367752552qBC  bTaylor & FranciscGBP 38.99fBB  a01  aeng7 aNKD2thema7 aN2thema7 a1D2bisac7 a3KL2bisac7 a3K2bisac7 aHDDM2bic7 aHBLC12bic7 a1D2bisac7 aHIS0370102bisac7 aSOC0030002bisac7 a709.02162bisac1 aJohn McNeill998010aRegional and Transregional in Romanesque Europe  a1  aOxfordbRoutledgec20211130  a304 p  bThe Regional and Transregional in Romanesque Europe considers the historiography and usefulness of regional categories and in so doing explores the strength, durability, mutability, and geographical scope of regional and transregional phenomena in the Romanesque period. This book addresses the complex question of the significance of regions in the creation of Romanesque, particularly in relation to transregional and pan-European artistic styles and approaches. The categorization of Romanesque by region was a cornerstone of 19th- and 20th-century scholarship, albeit one vulnerable to the application of anachronistic concepts of regional identity. Individual chapters explore the generation and reception of forms, the conditions that give rise to the development of transregional styles and the agencies that cut across territorial boundaries. There are studies of regional styles in Aquitaine, Castile, Sicily, Hungary, and Scandinavia; workshops in Worms and the Welsh Marches; the transregional nature of liturgical furnishings; the cultural geography of the new monastic orders; metalworking in Hildesheim and the valley of the Meuse; and the links which connect Piemonte with Conques. The Regional and Transregional in Romanesque Europe offers a new vision of regions in the creation of Romanesque relevant to archaeologists, art historians, and historians alike.1 aRichard Plant4B019981  c10615d10615