01243    a2200277   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001500136072001500151072001200166072001300178072002100191072002100212072002100233072001700254100002000271245009200291250000600383260003200389300001000421520053400431371865886020250317100359.0250312041997GB                   eng    a9783718658862  bTaylor & FranciscGBP 48.99fBB  a01  aeng7 aATD2thema7 aATQ2thema7 aAN2bic7 aASD2bic7 aPER0000002bisac7 aPER0030002bisac7 aPER0110002bisac7 a792.82bisac1 aDiana Theodores10aFirst We Take ManhattanbFour American Women and the New York School of Dance Criticism  a1  aOxfordbRoutledgec19970908  a200 p  bFour American women: Marcia Siegel, Deborah Jowitt, Arlene Croce and Nancy Goldner are writers who became dance critics partly by design.  By showing us extensive examples from their vivid writing about dance, Diana Theodores presents a detailed and illuminating analysis of their styles and ideas from 1965 to 1985, the Golden Age of Dance in New York.  For the first time, she presents these four writers as a school of dance criticism, four women who defined American dance in a key era of its recent history. About the Author