02068    a2200421   4500001001100000005001700011008004200028020001800070037003700088040000700125041000800132072001600140072001500156072001400171072001500185072001400200072001600214072001300230072001200243072001200255072001300267072001100280072001600291072002100307072002100328072002100349072002100370072002100391072002200412100001600434245005300450250000600503260003200509300001000541520106100551700001901612999001501631103212303620250317100400.0250312042021GB        128           eng    a9781032123035  bTaylor & FranciscGBP 175.00fBB  a01  aeng7 aJBCT2thema7 aAGA2thema7 aAB2thema7 aGTM2thema7 aNH2thema7 a1FPC2bisac7 aJFD2bic7 aAC2bic7 aAB2bic7 aGTB2bic7 aH2bic7 a1FPC2bisac7 aART0150002bisac7 aART0570002bisac7 aART0190002bisac7 aART0190102bisac7 aHIS0000002bisac7 a791.4309512bisac1 aDing Yaping10aGeneral History of Chinese Film IIIb1976–2016  a1  aOxfordbRoutledgec20211227  a398 p  bThe Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.1 aJin Haina4B06  c1187d1187