01821    a2200301   4500001001100000005001700011008004100028020001800069037003600087040000700123041000800130072001600138072001500154072001400169072001300183072001200196072001100208072002100219072001800240100001400258245008400272250000600356260003200362300001000394520108000404700002001484999001501504113857749920250317100402.0250312042019GB        63           eng    a9781138577497  bTaylor & FranciscGBP 38.99fBB  a01  aeng7 aJBCT2thema7 aGLZ2thema7 aNH2thema7 aJFD2bic7 aGM2bic7 aH2bic7 aSOC0520002bisac7 a302.232bisac1 aNick Hall10aHands on Media HistorybA new methodology in the humanities and social sciences  a1  aOxfordbRoutledgec20191009  a238 p  bHands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound. Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern era’s most urgent questions: what is the relationship between people and the technologies they use every day? Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice.1 aJohn Ellis4B01  c1332d1332