01957    a2200337   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001500136072001500151072001400166072001300180072001300193072001200206072002100218072002100239072002100260072002100281072002100302072001700323100002400340245002900364250000600393260003200399300001000431520116500441999001301606036778426220250317100351.0250312042021GB                   eng    a9780367784263  bTaylor & FranciscGBP 43.99fBB  a01  aeng7 aAMA2thema7 aAMX2thema7 aTN2thema7 aAMA2bic7 aAMX2bic7 aTN2bic7 aARC0000002bisac7 aARC0010002bisac7 aARC0040002bisac7 aARC0050002bisac7 aARC0160002bisac7 a720.12bisac1 aChristos P. Kakalis10aArchitecture and Silence  a1  aOxfordbRoutledgec20210331  a202 p  bThis book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Pérez-Gómez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.  c158d158