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  <titleInfo>
    <title>Stop Making Sense</title>
    <subTitle>Music from the Perspective of the Real</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Scott Wilson</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
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  <originInfo>
    <place>
      <placeTerm type="text">Oxford</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>20150413</dateIssued>
    <edition>1</edition>
    <issuance/>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">g  </languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>272 p</extent>
  </physicalDescription>
  <abstract>This book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation.</abstract>
  <identifier type="isbn">9781782201984</identifier>
  <identifier type="stock number">Taylor &amp; Francis</identifier>
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    <recordCreationDate encoding="marc">250312</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250317100417.0</recordChangeDate>
    <recordIdentifier>178220198X</recordIdentifier>
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