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  <titleInfo>
    <title>Cross-Gender China</title>
    <subTitle>Across Yin-Yang, Across Cultures, and Beyond Jingju</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Huai Bao</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource/>
  <originInfo>
    <place>
      <placeTerm type="text">Oxford</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>20170814</dateIssued>
    <edition>1</edition>
    <issuance/>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">g  </languageTerm>
  </language>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>182 p</extent>
  </physicalDescription>
  <abstract>Cross-Gender China , the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.</abstract>
  <identifier type="isbn">9781351674720</identifier>
  <identifier type="stock number">Taylor &amp; Francis</identifier>
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    <recordCreationDate encoding="marc">250312</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250317111603.0</recordChangeDate>
    <recordIdentifier>1351674722</recordIdentifier>
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