01708    a2200445   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001500136072001600151072001700167072001600184072001500200072001800215072001400233072001500247072001200262072001400274072001400288072001400302072001300316072001400329072001100343072001300354072002100367072002100388072002100409072002100430072002400451100001300475245007600488250000600564260003200570300001000602520063500612999001501247135167472220250317111603.0250312042017GB                   eng    a9781351674720  bTaylor & FranciscGBP 41.99fBB  a01  aeng7 aATD2thema7 aJBSF2thema7 aJBCC32thema7 aAFKP2thema7 aJHM2thema7 aJBSF112thema7 aNH2thema7 aJHB2thema7 aAN2bic7 aJFSJ2bic7 aJFCK2bic7 aAFKP2bic7 aJHM2bic7 aJFFK2bic7 aH2bic7 aJHB2bic7 aPER0110002bisac7 aART0190002bisac7 aPER0110202bisac7 aART0600002bisac7 a792.509511562bisac1 aHuai Bao10aCross-Gender ChinabAcross Yin-Yang, Across Cultures, and Beyond Jingju  a1  aOxfordbRoutledgec20170814  a182 p  bCross-Gender China , the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.  c4328d4328