02135 a2200361 4500001001100000005001700011008004000028020001800068037003600086040000700122041000800129072001300137072001500150072001600165072001500181072001500196072001400211072001400225072001400239072001400253072001200267072001300279072002100292072002100313072002200334100002000356245008400376250000600460260003200466300001000498520122900508700003601737131710305X20250317111620.0250312042017GB 8 eng  a9781317103059 bTaylor & FranciscGBP 42.99fBB a01 aeng7 aN2thema7 aDSB2thema7 aNHAH2thema7 aATD2thema7 aQDH2thema7 a3M2bisac7 aHBLH2bic7 aDSBD2bic7 aHBAH2bic7 aAN2bic7 aHPC2bic7 aHIS0370202bisac7 aHIS0000002bisac7 a839.8184092bisac1 aKnud Haakonssen10aLudvig Holberg (1684-1754)bLearning and Literature in the Nordic Enlightenment a1 aOxfordbRoutledgec20170217 a268 p bLudvig Holberg (1684–1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women’s education and career, and a large number of comedies. These comedies secured Holberg’s status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre , but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.1 aSebastian Olden-Jørgensen4B01