01739    a2200313   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001600136072001600152072001400168072001300182072001300195072001100208072002100219072002100240072002000261100001700281245004900298250000600347260003200353300001000385520099000395700002501385999001501410135179002120250317111628.0250312042019GB                   eng    a9781351790024  bTaylor & FranciscGBP 44.99fBB  a01  aeng7 aJBCT2thema7 aJBCC2thema7 aNH2thema7 aJFD2bic7 aJFC2bic7 aH2bic7 aSOC0520002bisac7 aMUS0200002bisac7 a306.48422bisac1 aAndy Bennett10aPopular Music, Cultural Memory, and Heritage  a1  aOxfordbRoutledgec20190709  a140 p  bPopular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites – including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives – constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.1 aSusanne Janssen4B01  c6437d6437