01939    a2200349   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001600136072001600152072001500168072001700183072001400200072001300214072001400227072001300241072001400254072001100268072002100279072002100300100002400321245008200345250000600427260003200433300001000465520107600475700002301551999001501574135160954820250317111641.0250312042018GB                   eng    a9781351609548  bTaylor & FranciscGBP 39.99fBB  a01  aeng7 aJBCT2thema7 aJPWC2thema7 aATF2thema7 aJBCC12thema7 aNH2thema7 aJFD2bic7 aJPVL2bic7 aAPF2bic7 aJFCA2bic7 aH2bic7 aSOC0520002bisac7 a791.436582bisac1 aAna Cristina Mendes10aTransnational Cinema at the BordersbBorderscapes and the cinematic imaginary  a1  aOxfordbRoutledgec20181207  a140 p  bIn tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.1 aJohn Sundholm4B01  c7635d7635