02144 a2200361 4500001001100000005001700011008004100028020002200069037003600091040000700127041000800134072001500142072001600157072001500173072001400188072001700202072001700219072001300236072001300249072001300262072001100275072001400286072001700300072002100317072002200338100001300360245006400373250000600437260003200443300001000475520128200485999001501767104029849420250328151423.0250324022025GB 24 eng  a9781040298497qEA bTaylor & FranciscGBP 39.99fBB a01 aeng7 aATF2thema7 aJBCT2thema7 aGTM2thema7 aNH2thema7 aJBCC12thema7 a1FPCW2bisac7 aAPF2bic7 aJFD2bic7 aGTB2bic7 aH2bic7 aJFCA2bic7 a1FPCW2bisac7 aSOC0520002bisac7 a791.4309512bisac1 aLin Feng10aFilm History and Screen Culture in and beyond Greater China a1 aOxfordbRoutledgec20250228 a306 p bBringing together work from established and emerging scholars and practitioners from around the world, this collection expands existing scholarship on cinemas of the Sinosphere by revealing forgotten and emerging aspects of film history. Organised chronologically, individual chapters cover geographic regions of mainland China, Hong Kong, and Taiwan to engage with key issues of film history and screen politics that are overlooked by the traditional canon of Chinese cinema. Tackling key debates on (post)colonialism, (cold)war, and their sociopolitical impacts on screen culture in these regions, this collection challenges the binary paradigms that are perpetuated in the historical scholarship of Chinese cinema, such as left-wing and right-wing cinema, commercial entertainment and political propaganda films, and mass consumption of genre films versus the critical acclaim of New Wave auteurism. Together, the essays reveal the cultural mobility across different geographic and sociopolitical borders, their intertwined experience of the past, and historical events’ impact on contemporary filmmaking and screen cultures. This collection will be of interest to students and researchers of Film, Media, and Cultural Studies as well as Asian Studies and Chinese Studies. c8349d8349