02082    a2200385   450000500170000000800410001702000220005803700360008004000070011604100080012307200160013107200150014707200160016207200150017807200160019307200140020907200130022307200140023607200130025007200140026307200210027707200210029807200210031907200210034007200210036107200170038210000230039924501050042225000060052726000320053330000100056552010680057570000240164370000290166720250526161930.0250430042025GB        16           eng    a9781040295878qEA  bTaylor & FranciscGBP 39.99fBB  a01  aeng7 aDSBH2thema7 aJHM2thema7 aJMAF2thema7 aDSA2thema7 aMKMT2thema7 aDSBH2bic7 aJHM2bic7 aJMAF2bic7 aDSA2bic7 aMMJT2bic7 aLIT0240502bisac7 aLIT0060002bisac7 aPER0110202bisac7 aLAN0090002bisac7 aLIT0000002bisac7 a808.22bisac1 aIngrid Hotz-Davies10aLiterary Materialisations and Interferential ReadingbMaking Matter Matter on Page, Stage and Screen  a1  aOxfordbRoutledgec20250328  a286 p  bThis book traces literature’s long history of repurposing representational language use for performative, “material” effects. It brings this tradition into dialogue with the recent material turn in literary and cultural theory, which seeks to supplant or at least rethink the foundational influence of the linguistic turn in the field. Drawing on a variety of cutting‑edge new‑materialist theories, this book programmatically outlines the contours of a methodology of Interferential Reading that is then brought to bear on examples ranging from Shakespeare, Donne, Keats and Tennyson to Northern Irish poets Colette Bryce and Sinéad Morrissey and Scottish poet Kathleen Jamie; from British thing essays to J. G. Ballard, John Berger, Nicola Barker, Richard Powers, Colum McCann, Tim Crouch, Hanya Yanagihara and Korean writer Han Kang, winner of the 2024 Nobel Prize for literature, and from the history of theatrical bodies to the intermedial as well as affective textures in very recent experimental theatre, live theatre broadcasting and media art.1 aMartin Middeke4B011 aChristoph Reinfandt4B01