03129    a2200457   4500001001100000005001700011008003900028020002200067037003600089040000700125041000800132072001500140072001500155072001500170072001400185072001700199072001500216072001200231072001300243072001200256072001200268072001500280072001300295072002100308072002100329072002100350072002100371072002100392072002100413072002100434072002100455072001900476100001600495245004600511250000600557260003200563300001000595520202900605700002202634999001502656036719123720250328151427.0250324022025GB                   eng    a9780367191238qBC  bTaylor & FranciscGBP 39.99fBB  a01  aeng7 aAGA2thema7 aABA2thema7 aATD2thema7 aAF2thema7 aQDHR52thema7 aJHB2thema7 aAC2bic7 aABA2bic7 aAN2bic7 aAF2bic7 aHPCF32bic7 aJHB2bic7 aART0090002bisac7 aART0160002bisac7 aART0160202bisac7 aART0230002bisac7 aART0280002bisac7 aART0600002bisac7 aPER0000002bisac7 aPER0110002bisac7 a700.4532bisac1 aT. J. Bacon10aPhenomenology of Blood in Performance Art  a1  aOxfordbRoutledgec20250228  a328 p  bThe Phenomenology of Blood in Performance Art is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective. Edited by T. J. Bacon (she/they) and Chelsea Coon (she/her), this book moves through an established cannon of artists and beyond to ensure an inclusive representation of practices from a wider range of practitioners. First-hand interviews and conversations have been gathered from both canonical names as well as individuals who are prevalent in their communities and/or respective subcultures, but less represented within the frameworks of scholarly discourse. Each offers the opportunity to examine their experiences creating artworks and in turn contributes to the context of phenomenological examination within this publication through complementary scholarly texts from leading thinkers who frame phenomenological application to both visual art and transdisciplinary context. Featuring artists through new exclusive interviews and contributions including Marina Abramović, Jelili Atiku, Ron Athey, Franko B, Niya B, Marisa Carnesky, Chelsea Coon, Victor Martinez Diaz, Rufus Elliot, Ernst Fischer, Louis Fleischauer, Poppy Jackson, Mirabelle Jones, Andrei Molodkin, Hermann Nitsch, ORLAN, Mike Parr, Greta Sharp, tjb and Paola Paz Yee, and reference to many more. Alongside new scholarly insight by leading phenomenological and interdisciplinary art scholars and philosophers including T. J. Bacon, Chelsea Coon, Stuart Grant, Kelly Jordan, Lynn Lu, Roberta Mock, Amber Musser and Raegan Truax. Together they represent a significant exploration of intricate and dynamic responses to the cultural fabric of contemporary lived experiences across space and time through the medium of blood in performance art. This incredible analysis of this performance art will be of huge interest to students and practitioners of live art, performance art, phenomenology, and performance philosophy.1 aChelsea Coon4A01  c8628d8628