01947    a2200385   4500001001100000005001700011008003900028020001800067037003600085040000700121041000800128072001600136072001500152072001500167072001400182072001500196072001300211072001300224072001300237072001100250072001500261072002100276072002100297072002100318072002100339072002200360100001800382245004800400250000600448260003200454300001000486520102700496700002501523999001301548036778567620250317100359.0250312042021GB                   eng    a9780367785673  bTaylor & FranciscGBP 39.99fBB  a01  aeng7 aJBCT2thema7 aATF2thema7 aGTM2thema7 aNH2thema7 a1FK2bisac7 aJFD2bic7 aAPF2bic7 aGTB2bic7 aH2bic7 a1FK2bisac7 aFIC0270202bisac7 aHIS0170002bisac7 aLIT0080202bisac7 aSOC0520002bisac7 a791.4309542bisac1 aAjay Gehlawat10aEvolution of Song and Dance in Hindi Cinema  a1  aOxfordbRoutledgec20210331  a124 p  bExploring the evolution of song and dance in the popular Hindi film, this book examines how these quintessential elements have been and continue to be theorized. As song ‘picturizations’, as they are frequently called, have evolved, shifting from little more than impromptu moves around tree trunks to highly choreographed affairs featuring scores of professional dancers and exotic backgrounds, their theorization has also developed beyond the initial, peremptory dismissals of earlier critics. Featuring a landmark collection of essays from leading theorists, as well as newer contributions from up-and-coming scholars, this book develops new and exciting ways of thinking about song and dance in Hindi cinema and, in turn, explores how these elements work to (re)define popular Hindi cinema in the twenty-first century. This collection will be of interest to students and scholars of Hindi cinema, musicals, and global popular cultures. It was originally published as a special issue of South Asian Popular Culture.1 aRajinder Dudrah4B01  c996d996