000			01786 a2200337 4500
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008			250430042023GB 68 eng
020			_a9780367653279 _qBB
037			_bTaylor & Francis _cGBP 125.00 _fBB
040			_a01
041			_aeng
072	7		_aJHMC _2thema
072	7		_aAB _2thema
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100	1		_aOscar Salemink _9478
245	1	0	_aGlobal Art in Local Art Worlds _bChanging Hierarchies of Value
250			_a1
260			_aOxford _bRoutledge _c20230330
300			_a304 p
520			_bThis book explores the attribution and local negotiation of cultural valuations of artistic and art-institutional practices around the world, and considers the diverse ways in which these value attributions intersect with claims of universality and cosmopolitanism. Taking Michael Herzfeld’s notion of the “global hierarchy of value” as point of departure, the volume brings together six empirical studies of the collection, circulation, classification and exhibition of objects in present-day Brazil, China, India, Japan, South Africa and Indigenous Australia in light of Europe’s loss of global hegemony. Including reflections by a number of senior scholars, the chapters demonstrate that the question of valuation lies at the heart of artistic and art-institutional practices writ large – including museum practices, museum architecture, galleries, auction houses, art fairs and biennales.
700	1		_aAmélia Siegel Corrêa _4B01 _9479
700	1		_aJens Sejrup _4B01 _9480
700	1		_aVibe Nielsen _4B01 _9481
999			_c10331 _d10331