000			02210 a2200373 4500
005			20250526161929.0
008			250430042021GB 46 eng
020			_a9780367522186 _qBB
037			_bTaylor & Francis _cGBP 135.00 _fBB
040			_a01
041			_aeng
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100	1		_aRandall S. Lindstrom _9642
245	1	0	_aKenosis Creativity Architecture _bAppearance through Emptying
250			_a1
260			_aOxford _bRoutledge _c20210322
300			_a260 p
520			_bKenosis Creativity Architecture locates and explores creativity’s grounding in the ancient concept of kenosis, the “emptying” that allows creativity to happen; that makes appearance possible. It concretises that grounding through architecture—a primal expression of human creativity—critically examining, for the first time, kenotic instantiations evidenced in four iconic, international projects; works by Kahn, Pei, Ando, and Libeskind. Then, in a final turn, the potentiality of architecture’s own emptying is probed. Architect and author Randall Lindstrom draws on Western and Eastern philosophy, including that of Heidegger, Levinas, Derrida, Vattimo, Nishida, and Nishitani, as well as on the theology of Christianity, Judaism, and aspects of Buddhism, Hinduism, and Islam. Every chapter expands the argument that, if responsiveness to our world is taken seriously—if proper and sustainable responses are to be realised—then a deeper understanding of creativity, and so kenosis , is essential. This book opens-up a way of thinking about creativity and humanity’s readiness to be creative. It thereby presents a crucial enquiry—at the nexus of architecture, philosophy, and theology—for researchers, graduate and postgraduate students, and practitioners alike.
999			_c10418 _d10418