| 000 | 01612 a2200301 4500 | ||
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| 001 | 1583918191 | ||
| 005 | 20250317100359.0 | ||
| 008 | 250312042004GB eng | ||
| 020 | _a9781583918197 | ||
| 037 |
_bTaylor & Francis _cGBP 39.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aMKMT _2thema |
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| 072 | 7 |
_aMMJT _2bic |
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_aPSY026000 _2bisac |
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_aPSY036000 _2bisac |
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_aPSY045060 _2bisac |
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| 072 | 7 |
_a150.1954 _2bisac |
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| 100 | 1 | _aMichael Vannoy Adams | |
| 245 | 1 | 0 |
_aFantasy Principle _bPsychoanalysis of the Imagination |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20040318 |
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| 300 | _a268 p | ||
| 520 | _bContemporary psychoanalysis needs less reality and more fantasy; what Michael Vannoy Adams calls the 'fantasy principle'. The Fantasy Principle radically affirms the centrality of imagination. It challenges us to exercise and explore the imagination, shows us how to value vitally important images that emerge from the unconscious, how to evoke such images, and how to engage them decisively. It shows us how to apply Jungian techniques to interpret images accurately and to experience images immediately and intimately through what Jung calls 'active imagination'. The Fantasy Principle makes a strong case for a new school of psychoanalysis - the school of 'imaginal psychology' - which emphasizes the transformative impact of images. All those who desire to give individuals an opportunity to become more imaginative will find this book fascinating reading. | ||
| 999 |
_c1042 _d1042 |
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