000			02181 a2200325 4500
005			20250526161933.0
008			250430042021GB 778 eng
020			_a9780367752552 _qBC
037			_bTaylor & Francis _cGBP 38.99 _fBB
040			_a01
041			_aeng
072	7		_aNKD _2thema
072	7		_aN _2thema
072	7		_a1D _2bisac
072	7		_a3KL _2bisac
072	7		_a3K _2bisac
072	7		_aHDDM _2bic
072	7		_aHBLC1 _2bic
072	7		_a1D _2bisac
072	7		_aHIS037010 _2bisac
072	7		_aSOC003000 _2bisac
072	7		_a709.0216 _2bisac
100	1		_aJohn McNeill _9980
245	1	0	_aRegional and Transregional in Romanesque Europe
250			_a1
260			_aOxford _bRoutledge _c20211130
300			_a304 p
520			_bThe Regional and Transregional in Romanesque Europe considers the historiography and usefulness of regional categories and in so doing explores the strength, durability, mutability, and geographical scope of regional and transregional phenomena in the Romanesque period. This book addresses the complex question of the significance of regions in the creation of Romanesque, particularly in relation to transregional and pan-European artistic styles and approaches. The categorization of Romanesque by region was a cornerstone of 19th- and 20th-century scholarship, albeit one vulnerable to the application of anachronistic concepts of regional identity. Individual chapters explore the generation and reception of forms, the conditions that give rise to the development of transregional styles and the agencies that cut across territorial boundaries. There are studies of regional styles in Aquitaine, Castile, Sicily, Hungary, and Scandinavia; workshops in Worms and the Welsh Marches; the transregional nature of liturgical furnishings; the cultural geography of the new monastic orders; metalworking in Hildesheim and the valley of the Meuse; and the links which connect Piemonte with Conques. The Regional and Transregional in Romanesque Europe offers a new vision of regions in the creation of Romanesque relevant to archaeologists, art historians, and historians alike.
700	1		_aRichard Plant _4B01 _9981
999			_c10615 _d10615