| 000 | 01689 a2200265 4500 | ||
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| 005 | 20250526161935.0 | ||
| 008 | 250430041979GB eng | ||
| 020 |
_a9780415039499 _qBC |
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| 037 |
_bTaylor & Francis _cGBP 25.99 _fBB |
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| 041 | _aeng | ||
| 072 | 7 |
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| 100 | 1 |
_aDick Hebdige _91146 |
|
| 245 | 1 | 0 |
_aSubculture _bThe Meaning of Style |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c19790816 |
||
| 300 | _a208 p | ||
| 520 | _b'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time Out This book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times | ||
| 999 |
_c10694 _d10694 |
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