| 000 | 01612 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1138276987 | ||
| 005 | 20250317100400.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781138276987 | ||
| 037 |
_bTaylor & Francis _cGBP 56.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aAVLA _2thema |
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| 072 | 7 |
_a3MP _2bisac |
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| 072 | 7 |
_aAVGC6 _2bic |
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| 072 | 7 |
_aMUS000000 _2bisac |
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| 072 | 7 |
_a780 _2bisac |
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| 100 | 1 | _aRonald Taylor | |
| 245 | 1 | 0 |
_aFurtwängler on Music _bEssays and Addresses by Wilhelm Furtwängler |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20161116 |
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| 300 | _a200 p | ||
| 520 | _bWilhelm Furtwängler left not only some of the greatest interpretations of operatic and symphonic music on record, but also expressed his views on musical issues of the moment in a number of outspoken essays and talks. His writings range from practical matters of performance and interpretation to aesthetic reflections on what he saw as the alarming direction in which music was developing in the wake of Schoenberg and the twelve-tone system of composition. Professor Ronald Taylor has here, for the first time, translated and annotated a selection of Furtwängler's writings covering the four decades from the First World War to the conductor's death in 1954, and prefaced them with an essay on Furtwängler's controversial career and complicated personality. The result is a collection of stimulating pieces with a claim on our attention, made all the greater for reflecting the musical and philosophical ideals of one of the great conductors of the twentieth century. | ||
| 999 |
_c1162 _d1162 |
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