| 000 | 01701 a2200337 4500 | ||
|---|---|---|---|
| 001 | 1138259799 | ||
| 005 | 20250317100400.0 | ||
| 008 | 250312042017GB eng | ||
| 020 | _a9781138259799 | ||
| 037 |
_bTaylor & Francis _cGBP 52.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
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| 100 | 1 | _aAlisa Luxenberg | |
| 245 | 1 | 0 |
_aGalerie Espagnole and the Museo Nacional 1835–1853 _bSaving Spanish Art, or the Politics of Patrimony |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20170331 |
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| 300 | _a298 p | ||
| 520 | _bAn important and critical re-evaluation of the Galerie Espagnole, this book presents new interpretations of the special collection of Spanish (or purportedly Spanish) paintings formed under Louis-Philippe and exhibited in the Louvre from 1838 through 1848. Alisa Luxenberg undertakes a new examination of the Parisian collection in relation to its lesser-known Spanish homologue, the Museo Nacional in Madrid, a collection of mostly old master Spanish paintings and sculptures that was formed at the very same time. Revealing the political agendas behind each museum, and the different manners in which their goals were pursued, Luxenberg analyzes the critical and visual reception of the collections as well as their intersection with contemporary debates about aesthetics and patrimony, the role of the art museum, and national and international politics. | ||
| 999 |
_c1169 _d1169 |
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