| 000 | 02068 a2200421 4500 | ||
|---|---|---|---|
| 001 | 1032123036 | ||
| 005 | 20250317100400.0 | ||
| 008 | 250312042021GB 128 eng | ||
| 020 | _a9781032123035 | ||
| 037 |
_bTaylor & Francis _cGBP 175.00 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
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| 100 | 1 | _aDing Yaping | |
| 245 | 1 | 0 |
_aGeneral History of Chinese Film III _b1976–2016 |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20211227 |
||
| 300 | _a398 p | ||
| 520 | _bThe Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film. | ||
| 700 | 1 |
_aJin Haina _4B06 |
|
| 999 |
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