| 000 | 01487 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1138736503 | ||
| 005 | 20250317100401.0 | ||
| 008 | 250312042019GB eng | ||
| 020 | _a9781138736504 | ||
| 037 |
_bTaylor & Francis _cGBP 205.00 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJHB _2thema |
|
| 072 | 7 |
_aJHB _2bic |
|
| 072 | 7 |
_aSOC000000 _2bisac |
|
| 072 | 7 |
_aSOC026000 _2bisac |
|
| 072 | 7 |
_a782.220942296 _2bisac |
|
| 100 | 1 | _aKeri Dexter | |
| 245 | 1 | 0 |
_aGood Quire of Voices: The Provision of Choral Music at St.George's Chapel, Windsor Castle and Eton College, c.1640-1733 _bThe Provision of Choral Music at St.George's Chapel, Windsor Castle and Eton College, c.1640-1733 |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20191128 |
||
| 300 | _a600 p | ||
| 520 | _bThis title was first published in 2002: Until relatively recently, musicologists' account of church music in post-Restoration and early Georgian England has been substantially incomplete due to an almost exclusive preoccupation with the music and musicians of the Chapel Royal. The balance is now being redressed and this book begins the task of filling one of the remaining gaps in our understanding of the field. The volume represents a detailed examination of the practical workings of a choral foundation during the later 17th and early 18th centuries, placing the musicians within their wider historical and social contexts, and based on a comprehensive survey of extant archival material. | ||
| 999 |
_c1266 _d1266 |
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