| 000 | 01730 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1408220121 | ||
| 005 | 20250317100402.0 | ||
| 008 | 250312042009GB eng | ||
| 020 | _a9781408220122 | ||
| 037 |
_bTaylor & Francis _cGBP 37.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aNHAH _2thema |
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| 072 | 7 |
_aHBAH _2bic |
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| 072 | 7 |
_aHIS016000 _2bisac |
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| 072 | 7 |
_aHIS000000 _2bisac |
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| 072 | 7 |
_a907.2 _2bisac |
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| 100 | 1 | _aBeverley C. Southgate | |
| 245 | 1 | 0 | _aHistory Meets Fiction |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20091015 |
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| 300 | _a240 p | ||
| 520 | _bIs history factual, or just another form of fiction? Are there distinct boundaries between the two, or just extensive borderlands? How do novelists represent historians and history? The relationship between history and fiction has always been contentious and sometimes turbulent, not least because the two have traditionally been seen as mutually exclusive opposites. However, new hybrid forms of writing – from historical fiction to docudramas to fictionalised biographies – have led to the blurring of boundaries, and given rise to the claim that history itself is just another form of fiction. In his thought-provoking new book, Beverley Southgate untangles this knotty relationship, setting his discussion in a broad historical and philosophical context. Throughout, Southgate invokes a variety of writers to illuminate his arguments, from Dickens and Proust, through Virginia Woolf and Daphne du Maurier, to such contemporary novelists as Tim O’Brien, Penelope Lively, and Graham Swift. Anyone interested in the many meeting points between history and fiction will find this an engaging, accessible and stimulating read. | ||
| 999 |
_c1378 _d1378 |
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