| 000 | 01339 a2200265 4500 | ||
|---|---|---|---|
| 001 | 0367666340 | ||
| 005 | 20250317100402.0 | ||
| 008 | 250312042020GB eng | ||
| 020 | _a9780367666347 | ||
| 037 |
_bTaylor & Francis _cGBP 41.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aATD _2thema |
|
| 072 | 7 |
_aAFKP _2thema |
|
| 072 | 7 |
_aAN _2bic |
|
| 072 | 7 |
_aAFKP _2bic |
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| 072 | 7 |
_aPER011000 _2bisac |
|
| 072 | 7 |
_a792.0973 _2bisac |
|
| 100 | 1 | _aKimberly Poppiti | |
| 245 | 1 | 0 |
_aHistory of Equestrian Drama in the United States _bHippodrama’s Pure Air and Fire |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20200930 |
||
| 300 | _a196 p | ||
| 520 | _bA History of Equestrian Drama in the United States documents the history of equestrian drama in the United States and clarifies the multi-faceted significance of the form and of the related stage machinery developed to produce hippodramas. The development of equestrian drama is traced from its origins and influences in the sixteenth century, through the height of the form’s popularity at the turn of the twentieth century. Analysis of the historical significance of the genre within the larger context of U.S. theatre, the elucidation of the importance of the horse to theatre, and an evaluation of the lasting impact on theatre technology are also included. | ||
| 999 |
_c1388 _d1388 |
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