000			01858 a2200265 4500
001			1138251801
005			20250317100351.0
008			250312042016GB eng
020			_a9781138251809
037			_bTaylor & Francis _cGBP 48.99 _fBB
040			_a01
041			_aeng
072	7		_aN _2thema
072	7		_a3M _2bisac
072	7		_aHBLH _2bic
072	7		_aART015000 _2bisac
072	7		_a709.4563209031 _2bisac
100	1		_aJill Burke
245	1	0	_aArt and Identity in Early Modern Rome
250			_a1
260			_aOxford _bRoutledge _c20161130
300			_a308 p
520			_bFrom the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.
700	1		_aMichael Bury _4B01
999			_c170 _d170