| 000 | 00918 a2200265 4500 | ||
|---|---|---|---|
| 001 | 1909662216 | ||
| 005 | 20250317100407.0 | ||
| 008 | 250312042013GB eng | ||
| 020 | _a9781909662216 | ||
| 037 |
_bTaylor & Francis _cGBP 52.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aNKD _2thema |
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| 072 | 7 |
_a1D _2bisac |
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| 072 | 7 |
_a3KL _2bisac |
|
| 072 | 7 |
_aHDDM _2bic |
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| 072 | 7 |
_aSOC003000 _2bisac |
|
| 072 | 7 |
_a726.609422735 _2bisac |
|
| 100 | 1 | _aAlixe Bovey | |
| 245 | 1 | 0 | _aMedieval Art, Architecture & Archaeology at Canterbury |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20131231 |
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| 300 | _a324 p | ||
| 520 | _bThis book argues that Robert Willis's presentations were fundamental to the format of British Archaeological Association meetings and to the creation of medieval architectural history. It discusses the background to his study of Canterbury in terms of his own research. | ||
| 999 |
_c1904 _d1904 |
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