| 000 | 01526 a2200313 4500 | ||
|---|---|---|---|
| 001 | 1317698355 | ||
| 005 | 20250317100407.0 | ||
| 008 | 250312042014GB 8 eng | ||
| 020 | _a9781317698357 | ||
| 037 |
_bTaylor & Francis _cGBP 52.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aDDA _2thema |
|
| 072 | 7 |
_aDSB _2thema |
|
| 072 | 7 |
_aDSA _2thema |
|
| 072 | 7 |
_aDDS _2bic |
|
| 072 | 7 |
_aDSBD _2bic |
|
| 072 | 7 |
_aDSA _2bic |
|
| 072 | 7 |
_aLIT015000 _2bisac |
|
| 072 | 7 |
_aLIT000000 _2bisac |
|
| 072 | 7 |
_a822.33 _2bisac |
|
| 100 | 1 | _aEvelyn Gajowski | |
| 245 | 1 | 0 |
_aMerry Wives of Windsor _bNew Critical Essays |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20140919 |
||
| 300 | _a286 p | ||
| 520 | _bThe Merry Wives of Windsor has recently experienced a resurgence of critical interest. At times considered one of Shakespeare’s weaker plays, it is often dismissed or marginalized; however, developments in feminist, ecocritical and new historicist criticism have opened up new perspectives and this collection of 18 essays by top Shakespeare scholars sheds fresh light on the play. The detailed introduction by Phyllis Rackin and Evelyn Gajowski provides a historical survey of the play and ties into an evolving critical and cultural context. The book’s sections look in turn at female community/female agency; theatrical alternatives; social and theatrical contexts; desire/sexuality; nature and performance to provide a contemporary critical analysis of the play. | ||
| 700 | 1 |
_aPhyllis Rackin _4B01 |
|
| 999 |
_c1924 _d1924 |
||