000 02195 a2200337 4500
001 1032092343
005 20250317100408.0
008 250312042021GB eng
020 _a9781032092348
037 _bTaylor & Francis
_cGBP 42.99
_fBB
040 _a01
041 _aeng
072 7 _aDSB
_2thema
072 7 _aDSA
_2thema
072 7 _a1DSE
_2bisac
072 7 _a1KL
_2bisac
072 7 _aDSB
_2bic
072 7 _aDSA
_2bic
072 7 _a1DSE
_2bisac
072 7 _a1KL
_2bisac
072 7 _aLCO000000
_2bisac
072 7 _aLIT000000
_2bisac
072 7 _aLIT004280
_2bisac
072 7 _a863.087209
_2bisac
100 1 _aStewart King
245 1 0 _aMurder in the Multinational State
_bCrime Fiction from Spain
250 _a1
260 _aOxford
_bRoutledge
_c20210630
300 _a212 p
520 _bAs Spaniards set out to transform the political, social and cultural landscape of the nation following the death of dictator Francisco Franco in 1975, its crime fiction traces, challenges and celebrates these radical changes. Crime Fiction from Spain: Murder in the Multinational State provides a comprehensive exploration of the relationship between detective fiction and national and cultural identities in post-Franco democratic Spain. What sort of stories are told about the nation within the state in the crime genre? How do the conventions of the crime story shape not only the production of national and cultural identities, but also their disruption? Combining criminological theories of crime and community with an analysis of the genre’s conventions, this study challenges the simple classification of Spanish crime fiction as texts written by Spaniards, set in Spain and with Spanish characters. Instead, it develops a dramatic new reading practice which allows for a greater understanding of the role of crime fiction in the construction and articulation of different and, at times, competing, national and cultural identities, including in the Basque Country, Catalonia and Galicia. The book provides a stimulating introduction to the key debates on the study of crime fiction and national and cultural identities in the context of a multinational state.
999 _c2025
_d2025