000			02052 a2200265 4500
001			1138265624
005			20250317100408.0
008			250312042016GB eng
020			_a9781138265622
037			_bTaylor & Francis _cGBP 52.99 _fBB
040			_a01
041			_aeng
072	7		_aAVA _2thema
072	7		_aAVA _2bic
072	7		_aMUS000000 _2bisac
072	7		_a780 _2bisac
100	1		_aSteven Baur
245	1	0	_aMusicological Identities _bEssays in Honor of Susan McClary
250			_a1
260			_aOxford _bRoutledge _c20161115
300			_a288 p
520			_bNo music scholar has made as profound an impact on contemporary thought as Susan McClary, a central figure in what has been termed the 'new musicology'. In this volume seventeen distinguished scholars pay tribute to her work, with essays addressing three approaches to music that have characterized her own writings: reassessing music's role in identity formation, particularly regarding gender, sexuality, and race; exploring music's capacity to define and regulate perceptions and experiences of time; and advancing new modes of analysis more appropriate to those aspects and modes of musicking ignored by traditional methods. Contributors include, in overlapping categories, many fellow pioneers, current colleagues, and former students, and their essays, like McClary's own work, address a wide range of repertories ranging from the established canon to a variety of popular genres. The collection represents the generational arrival of the 'new' musicology into full maturity, dividing fairly evenly between pre-eminent scholars of music and a group of younger scholars who have already made their mark in significant ways. But the collection is also, and fundamentally, interdisciplinary in nature, in active conversation with such fields as history, anthropology, philosophy, aesthetics, media studies, film music studies, dramatic criticism, women's studies, and cultural studies.
700	1		_aRaymond Knapp _4B01
700	1		_aJacqueline Warwick _4A01
999			_c2038 _d2038