| 000 | 01810 a2200349 4500 | ||
|---|---|---|---|
| 001 | 1317677951 | ||
| 005 | 20250317100408.0 | ||
| 008 | 250312042014GB 18 eng | ||
| 020 | _a9781317677956 | ||
| 037 |
_bTaylor & Francis _cGBP 42.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aAVLA _2thema |
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| 072 | 7 |
_aJBCC _2thema |
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| 072 | 7 |
_aNH _2thema |
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| 072 | 7 |
_a6CA _2bisac |
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| 072 | 7 |
_a6RA _2bisac |
|
| 072 | 7 |
_aAVGC4 _2bic |
|
| 072 | 7 |
_aAVGC5 _2bic |
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| 072 | 7 |
_aJFC _2bic |
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| 072 | 7 |
_aH _2bic |
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| 072 | 7 |
_aMUS015000 _2bisac |
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| 072 | 7 |
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_aMUS000000 _2bisac |
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_a780.94409034 _2bisac |
|
| 100 | 1 | _aRuth Rosenberg | |
| 245 | 1 | 0 |
_aMusic, Travel, and Imperial Encounter in 19th-Century France _bMusical Apprehensions |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20140919 |
||
| 300 | _a234 p | ||
| 520 | _bThis book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies. | ||
| 999 |
_c2040 _d2040 |
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