| 000 | 01237 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1138811548 | ||
| 005 | 20250317100408.0 | ||
| 008 | 250312042014GB 16 eng | ||
| 020 | _a9781138811546 | ||
| 037 |
_bTaylor & Francis _cGBP 49.99 _fBB |
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| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aD _2thema |
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| 072 | 7 |
_aD _2bic |
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| 072 | 7 |
_aLIT000000 _2bisac |
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| 072 | 7 |
_aLIT004290 _2bisac |
|
| 072 | 7 |
_a813.3099287 _2bisac |
|
| 100 | 1 | _aJennifer Cognard-Black | |
| 245 | 1 | 0 |
_aNarrative in the Professional Age _bTransatlantic Readings of Harriet Beecher Stowe, Elizabeth Stuart Phelps, and George Eliot |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20140703 |
||
| 300 | _a216 p | ||
| 520 | _bChallenging previous studies that claim anxiety and antagonism between transatlantic Victorian authors, Jennifer Cognard-Black uncovers a model of reciprocal influence among three of the most popular women writers of the era. Combining analyses of personal correspondence and print culture with close readings of key narratives, this study presents an original history of transatlantic authorship that examines how these writers invented a collaborative aesthetics both within and against the dominant discourse of professionalism. | ||
| 999 |
_c2054 _d2054 |
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