| 000 | 01291 a2200301 4500 | ||
|---|---|---|---|
| 001 | 1138978191 | ||
| 005 | 20250317100410.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781138978195 | ||
| 037 |
_bTaylor & Francis _cGBP 22.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aGTM _2thema |
|
| 072 | 7 |
_a1F _2bisac |
|
| 072 | 7 |
_aGTB _2bic |
|
| 072 | 7 |
_a1F _2bisac |
|
| 072 | 7 |
_aPOL000000 _2bisac |
|
| 072 | 7 |
_aREF000000 _2bisac |
|
| 072 | 7 |
_aSOC008000 _2bisac |
|
| 072 | 7 |
_aSOC053000 _2bisac |
|
| 072 | 7 |
_a790.20951 _2bisac |
|
| 100 | 1 | _aColin Mackerras | |
| 245 | 1 | 0 | _aPerforming Arts in Contemporary China |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160121 |
||
| 300 | _a272 p | ||
| 520 | _bFirst published in 1981. The overthrow of the 'gang of four' in October 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be more clearly seen than in the performing arts. Jiang Qing, Mao Zedong's widow, was strongly interested in the performing arts and exercised great influence over them. This book describes her influence and the effects its removal had on the arts. Although the period covered is mainly that since the death of Mao, there is also considerable reference to the years following the Cultural Revolution. | ||
| 999 |
_c2259 _d2259 |
||