| 000 | 01035 a2200301 4500 | ||
|---|---|---|---|
| 001 | 1032094877 | ||
| 005 | 20250317100413.0 | ||
| 008 | 250312042021GB eng | ||
| 020 | _a9781032094878 | ||
| 037 |
_bTaylor & Francis _cGBP 22.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aDSBH _2thema |
|
| 072 | 7 |
_a1KB _2bisac |
|
| 072 | 7 |
_aDSBH _2bic |
|
| 072 | 7 |
_a1KB _2bisac |
|
| 072 | 7 |
_aLIT004020 _2bisac |
|
| 072 | 7 |
_aLIT024000 _2bisac |
|
| 072 | 7 |
_aLIT025000 _2bisac |
|
| 072 | 7 |
_aLIT000000 _2bisac |
|
| 072 | 7 |
_a809.933552 _2bisac |
|
| 100 | 1 | _aJohn Donald Kerkering | |
| 245 | 1 | 0 |
_aRacial Rhapsody _bThe Aesthetics of Contemporary U.S. Identity |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20210630 |
||
| 300 | _a152 p | ||
| 520 | _bRacial Rhapsody: The Aesthetics of Contemporary U.S. Identity aims to explain and to interrogate the disciplinary history according to which literary criticism has come to organize its attention to literary texts around this primary object of analysis, the "racial" body. | ||
| 999 |
_c2523 _d2523 |
||