000			01707 a2200361 4500
001			0367347350
005			20250317100414.0
008			250312042021GB eng
020			_a9780367347352
037			_bTaylor & Francis _cGBP 32.99 _fBB
040			_a01
041			_aeng
072	7		_aDSA _2thema
072	7		_aDSK _2thema
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100	1		_aMarc Chénetier
245	1	0	_aRichard Brautigan
250			_a1
260			_aOxford _bRoutledge _c20211001
300			_a98 p
520			_bFew contemporary American writers have been subjected to as much laudatory abuse as Richard Brautigan who, having become famous in the 1960s, was made a cult figure for the hippy generation and was systematically refused recognition as a major novelist once the sentimental wave of the ‘greening of America’ had passed. Marc Chénetier’s study, originally published in 1983, was the first book to attempt to assess Brautigan’s writing art which, far from weakening over the years, had become, amid critical indifference, more secure in its techniques, more all-encompassing in its strategy and more iconoclastic in its goals. In analysing most of Brautigan’s fictional works in the light of his poetics, it examines the mechanisms of his metafictional and deconstructive offensive and indicates the direction in which Brautigan was moving at the time.
999			_c2666 _d2666