000			02293 a2200337 4500
001			1032082658
005			20250317100415.0
008			250312042021GB 95 eng
020			_a9781032082653
037			_bTaylor & Francis _cGBP 43.99 _fBB
040			_a01
041			_aeng
072	7		_aAVLA _2thema
072	7		_aNHTB _2thema
072	7		_a3MP _2bisac
072	7		_a3M _2bisac
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072	7		_a780.9436 _2bisac
100	1		_aDavid Fanning
245	1	0	_aRoutledge Handbook to Music under German Occupation, 1938-1945 _bPropaganda, Myth and Reality
250			_a1
260			_aOxford _bRoutledge _c20210802
300			_a572 p
520			_bFollowing their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations and force them to submit to the strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of either complying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupation for the musical environment in Europe. Music under German Occupation is written for all music-lovers, students, professionals and academics who have particular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II.
700	1		_aErik Levi _4B01
999			_c2757 _d2757