| 000 | 02560 a2200625 4500 | ||
|---|---|---|---|
| 001 | 113821244X | ||
| 005 | 20250317100415.0 | ||
| 008 | 250312042018GB eng | ||
| 020 | _a9781138212442 | ||
| 037 |
_bTaylor & Francis _cGBP 37.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aNHTB _2thema |
|
| 072 | 7 |
_aJBCC _2thema |
|
| 072 | 7 |
_aDS _2thema |
|
| 072 | 7 |
_aAGA _2thema |
|
| 072 | 7 |
_aATD _2thema |
|
| 072 | 7 |
_aAB _2thema |
|
| 072 | 7 |
_aNHD _2thema |
|
| 072 | 7 |
_aN _2thema |
|
| 072 | 7 |
_aNHTQ _2thema |
|
| 072 | 7 |
_aQRAX _2thema |
|
| 072 | 7 |
_a3K _2bisac |
|
| 072 | 7 |
_a3M _2bisac |
|
| 072 | 7 |
_a3MPQ _2bisac |
|
| 072 | 7 |
_aHBTB _2bic |
|
| 072 | 7 |
_aJFC _2bic |
|
| 072 | 7 |
_aDS _2bic |
|
| 072 | 7 |
_aAC _2bic |
|
| 072 | 7 |
_aAN _2bic |
|
| 072 | 7 |
_aAB _2bic |
|
| 072 | 7 |
_aHBJD1 _2bic |
|
| 072 | 7 |
_aHBLC1 _2bic |
|
| 072 | 7 |
_aHBLH _2bic |
|
| 072 | 7 |
_aHBLW3 _2bic |
|
| 072 | 7 |
_aHBTQ _2bic |
|
| 072 | 7 |
_aHRAX _2bic |
|
| 072 | 7 |
_a3J _2bisac |
|
| 072 | 7 |
_aART015000 _2bisac |
|
| 072 | 7 |
_aHIS000000 _2bisac |
|
| 072 | 7 |
_aHIS015000 _2bisac |
|
| 072 | 7 |
_aHIS037010 _2bisac |
|
| 072 | 7 |
_aHIS037030 _2bisac |
|
| 072 | 7 |
_aHIS054000 _2bisac |
|
| 072 | 7 |
_aMUS020000 _2bisac |
|
| 072 | 7 |
_aREL033000 _2bisac |
|
| 072 | 7 |
_aSOC031000 _2bisac |
|
| 072 | 7 |
_a941.00207 _2bisac |
|
| 100 | 1 | _aRaphael Samuel | |
| 245 | 1 | 0 |
_aRoutledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989) _bVolume III: National Fictions |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20180413 |
||
| 300 | _a298 p | ||
| 520 | _bFirst published in 1989, this is the third of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume studies some of the leading figures of national myth, such as Britannia and John Bull. One group of essays looks at the idea of distinctively national landscape and the ways in which it corresponds to notions of social order. A chapter on the poetry of Edmund Spenser explores metaphorical representations of Britain as a walled garden, and the idea of an enchanted national space is taken up in a series of essays on literature, theatre and cinema. An introductory piece charts some of the startling changes in the image of national character, from the seventeenth-century notion of the English as the most melancholy people in Europe, to the more uncertain and conflicting images of today. | ||
| 999 |
_c2773 _d2773 |
||