| 000 | 01198 a2200253 4500 | ||
|---|---|---|---|
| 001 | 1138514845 | ||
| 005 | 20250317100416.0 | ||
| 008 | 250312042020GB eng | ||
| 020 | _a9781138514843 | ||
| 037 |
_bTaylor & Francis _cGBP 40.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aJHB _2thema |
|
| 072 | 7 |
_aJHB _2bic |
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| 072 | 7 |
_aMUS000000 _2bisac |
|
| 072 | 7 |
_aSOC026000 _2bisac |
|
| 072 | 7 |
_a306.484 _2bisac |
|
| 100 | 1 | _aPaul Honigsheim | |
| 245 | 1 | 0 | _aSociologists and Music |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20201218 |
||
| 300 | _a375 p | ||
| 520 | _bSociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its own right, as an accompaniment or byproduct of phenomena they studied (such as youth culture or the drug scene), or as a means for obtaining social compliance (as in religious ceremonies or in the military). This book goes one step toward remedying this situation by culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of the extensive writings on music and society by Paul Honigsheim. | ||
| 999 |
_c2946 _d2946 |
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