000			02175 a2200373 4500
001			1138248568
005			20250317100416.0
008			250312042016GB eng
020			_a9781138248564
037			_bTaylor & Francis _cGBP 56.99 _fBB
040			_a01
041			_aeng
072	7		_aAVLP _2thema
072	7		_aJBCC1 _2thema
072	7		_aJHBS _2thema
072	7		_aAVR _2thema
072	7		_a6PB _2bisac
072	7		_a6RF _2bisac
072	7		_aAVGP _2bic
072	7		_aJFCA _2bic
072	7		_aJHBS _2bic
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072	7		_aMUS053000 _2bisac
072	7		_aMUS000000 _2bisac
072	7		_a306.48420944 _2bisac
100	1		_aVincent Dubois
245	1	0	_aSociology of Wind Bands _bAmateur Music Between Cultural Domination and Autonomy
250			_a1
260			_aOxford _bRoutledge _c20160909
300			_a246 p
520			_bDespite the musical and social roles they play in many parts of the world, wind bands have not attracted much interest from sociologists. The Sociology of Wind Bands seeks to fill this gap in research by providing a sociological account of this musical universe as it stands now. Based on a qualitative and quantitative survey conducted in northeastern France, the authors present a vivid description of the orchestras, the backgrounds and practices of their musicians, and the repertoires they play. Their multi-level analysis, ranging from the cultural field to the wind music subfield and to everyday life relationships within bands and local communities, sheds new light on the social organisation, meanings and functions of a type of music that is all too often taken for granted. Yet they go further than merely portraying a musical genre. As wind music is routinely neglected and socially defined in terms of its poor musical quality or even bad taste, the book addresses the thorny issue of the effects of cultural hierarchy and domination. It proposes an imaginative and balanced framework which, beyond the specific case of wind music, is an innovative contribution to the sociology of lowbrow culture.
700	1		_aJean-Matthieu Méon _4A01
700	1		_atranslated by Jean-Yves Bart _4A01
999			_c2948 _d2948