| 000 | 00977 a2200277 4500 | ||
|---|---|---|---|
| 001 | 178220198X | ||
| 005 | 20250317100417.0 | ||
| 008 | 250312042015GB eng | ||
| 020 | _a9781782201984 | ||
| 037 |
_bTaylor & Francis _cGBP 34.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aMKMT _2thema |
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| 072 | 7 |
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_aPSY036000 _2bisac |
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| 072 | 7 |
_a615.85154 _2bisac |
|
| 100 | 1 | _aScott Wilson | |
| 245 | 1 | 0 |
_aStop Making Sense _bMusic from the Perspective of the Real |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20150413 |
||
| 300 | _a272 p | ||
| 520 | _bThis book offers a new theory of music as a form of social bond analogous to language as it is understood according to the Lacanian orientation in psychoanalysis. It presents contemporary examples that look at how music has become both a powerful locus of discontent and a form of orientation. | ||
| 999 |
_c3011 _d3011 |
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