000			02045 a2200409 4500
001			1138085030
005			20250317100418.0
008			250312042017GB eng
020			_a9781138085039
037			_bTaylor & Francis _cGBP 41.99 _fBB
040			_a01
041			_aeng
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100	1		_aJessica Schwarzenbach
245	1	0	_aTransatlantic Reflections on the Practice-Based PhD in Fine Art
250			_a1
260			_aOxford _bRoutledge _c20170518
300			_a206 p
520			_bOnce the US was the only country in the world to offer a doctorate for studio artists, however the PhD in fine art disappeared after pressures established the MFA as the terminal degree for visual artists. Subsequently, the PhD in fine art emerged in the UK and is now offered by approximately 40 universities. Today the doctorate is offered in most English-speaking nations, much of the EU, and countries such as China and Brazil. Using historical, political, and social frameworks, this book investigates the evolution of the fine art doctorate in the UK, what the concept of a PhD means to practicing artists from the US, and why this degree disappeared in the US when it is so vigorously embraced in the UK and other countries. Data collected through in-depth interviews examine the perspectives of professional artists in the US who teach graduate level fine art. These interviews disclose conflicting attitudes toward this advanced degree and reveal the possibilities and challenges of developing a potential doctorate in studio art in the US.
700	1		_aPaul Hackett _4A01
999			_c3181 _d3181