000 02244 a2200301 4500
001 1351765817
005 20250317111555.0
008 250312042017GB 65 eng
020 _a9781351765817
037 _bTaylor & Francis
_cGBP 46.99
_fBB
040 _a01
041 _aeng
072 7 _aNKA
_2thema
072 7 _aNKX
_2thema
072 7 _aNKD
_2thema
072 7 _a3B
_2bisac
072 7 _aHDA
_2bic
072 7 _aHDW
_2bic
072 7 _aHDDA
_2bic
072 7 _aSOC003000
_2bisac
072 7 _a930.156
_2bisac
100 1 _aMaikel Kuijpers
245 1 0 _aArchaeology of Skill
_bMetalworking Skill and Material Specialization in Early Bronze Age Central Europe
250 _a1
260 _aOxford
_bRoutledge
_c20170803
300 _a334 p
520 _bMaterial is the mother of innovation and it is through skill that innovations are brought about. This core thesis that is developed in this book identifies skill as the linchpin of – and missing link between – studies on craft, creativity, innovation, and material culture. Through a detailed study of early bronze age axes the question is tackled of what it involves to be skilled, providing an evidence based argument about levels of skill. The unique contribution of this work is that it lays out a theoretical framework and methodology through which an empirical analysis of skill is achievable. A specific chaîne opératoire for metal axes is used that compares not only what techniques were used, but also how they were applied. A large corpus of axes is compared in terms of what skills and attention were given at the different stages of their production. The ideas developed in this book are of interest to the emerging trend of ‘material thinking’ in the human and social sciences. At the same time, it looks towards and augments the development in craft-studies, recognising the many different aspects of craft in contemporary and past societies, and the particular relationship that craftspeople have with their material. Drawing together these two distinct fields of research will stimulate (re)thinking of how to integrate production with discussions of other aspects of object biographies, and how we link arguments about value to social models.
999 _c3626
_d3626