| 000 | 01572 a2200241 4500 | ||
|---|---|---|---|
| 001 | 1138969869 | ||
| 005 | 20250317100353.0 | ||
| 008 | 250312042016GB eng | ||
| 020 | _a9781138969865 | ||
| 037 |
_bTaylor & Francis _cGBP 49.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
| 072 | 7 |
_aNH _2thema |
|
| 072 | 7 |
_aHB _2bic |
|
| 072 | 7 |
_aHIS000000 _2bisac |
|
| 072 | 7 |
_a813.52 _2bisac |
|
| 100 | 1 | _aLeon Coleman | |
| 245 | 1 | 0 |
_aCarl Van Vechten and the Harlem Renaissance _bA Critical Assessment |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20160808 |
||
| 300 | _a198 p | ||
| 520 | _bThis book evaluates Carl Van Vechten's contribution to the Harlem Renaissance by presenting hitherto unexamined documentary evidence. The author draws on correspondence, manuscripts, personal memorabilia, and published materials to examine the origins and development of the period in the 1920s which was termed the New Negro Renaissance. In the later years of the 1920s, as a result of the success of his novel, Nigger Heaven, Carl Van Vechten received extensive publicity associating him with Harlem and with the Harlem Renaissance. The vehement controversy which the book aroused among African American critics and the black press, who attacked it, and the African American authors and friends of Van Vechten who defended it, obscured the true extent of Van Vechten's role in the Harlem Renaissance. This study sheds light on the Van Vechten controversy which has continued to the present day. (Ph.D. dissertation, University of Minnesota, 1969; revised with new preface) | ||
| 999 |
_c363 _d363 |
||