| 000 | 01697 a2200373 4500 | ||
|---|---|---|---|
| 001 | 1317672747 | ||
| 005 | 20250317111556.0 | ||
| 008 | 250312042015GB eng | ||
| 020 | _a9781317672746 | ||
| 037 |
_bTaylor & Francis _cGBP 44.99 _fBB |
||
| 040 | _a01 | ||
| 041 | _aeng | ||
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| 100 | 1 | _aRon Moy | |
| 245 | 1 | 0 |
_aAuthorship Roles in Popular Music _bIssues and Debates |
| 250 | _a1 | ||
| 260 |
_aOxford _bRoutledge _c20150619 |
||
| 300 | _a184 p | ||
| 520 | _bAuthorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies. | ||
| 999 |
_c3706 _d3706 |
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