000			02121 a2200337 4500
001			1317040805
005			20250317111556.0
008			250312042016GB eng
020			_a9781317040804
037			_bTaylor & Francis _cGBP 56.99 _fBB
040			_a01
041			_aeng
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100	1		_aWendy Beth Hyman
245	1	0	_aAutomaton in English Renaissance Literature
250			_a1
260			_aOxford _bRoutledge _c20160323
300			_a222 p
520			_bThe Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.
999			_c3710 _d3710