000 02648 a2200373 4500
001 1351955853
005 20250317111557.0
008 250312042016GB eng
020 _a9781351955850
037 _bTaylor & Francis
_cGBP 42.99
_fBB
040 _a01
041 _aeng
072 7 _aNHC
_2thema
072 7 _aN
_2thema
072 7 _aDSBB
_2thema
072 7 _aQRAX
_2thema
072 7 _a1QBCB
_2bisac
072 7 _a3K
_2bisac
072 7 _aHBLA1
_2bic
072 7 _aHBLC1
_2bic
072 7 _aDSBB
_2bic
072 7 _aHRAX
_2bic
072 7 _a1QDAZ
_2bisac
072 7 _aART015070
_2bisac
072 7 _aHIS002000
_2bisac
072 7 _aHIS000000
_2bisac
072 7 _a745.67487
_2bisac
100 1 _aKathleen Maxwell
245 1 0 _aBetween Constantinople and Rome
_bAn Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches
250 _a1
260 _aOxford
_bRoutledge
_c20161205
300 _a390 p
520 _bThis is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
999 _c3746
_d3746