000			01881 a2200325 4500
001			1317207939
005			20250317111557.0
008			250312042016GB eng
020			_a9781317207931
037			_bTaylor & Francis _cGBP 48.99 _fBB
040			_a01
041			_aeng
072	7		_aNH _2thema
072	7		_aDS _2thema
072	7		_aGTM _2thema
072	7		_a1FPC _2bisac
072	7		_aHB _2bic
072	7		_aDS _2bic
072	7		_aGTB _2bic
072	7		_a1FPC _2bisac
072	7		_aLIT008010 _2bisac
072	7		_aLIT000000 _2bisac
072	7		_a895.18509 _2bisac
100	1		_aSaiyin Sun
245	1	0	_aBeyond the Iron House _bLu Xun and the Modern Chinese Literary Field
250			_a1
260			_aOxford _bRoutledge _c20160715
300			_a224 p
520			_bBeyond the Iron House is a critical study of a crucial period of life and work of the modern Chinese writer Lu Xun. Through thorough research into historical materials and archives, the author demonstrates that Lu Xun was recognized in the literary field much later than has hitherto been argued. Neither the appearance of "Kuangren riji" (Diary of a madman) in 1918 nor the publication of Nahan (Outcry) in 1923 had catapulted the author into nationwide prominence; in comparison with his contemporaries, neither was his literary work as original and unique as many have claimed, nor were his thoughts and ideas as popular and influential as many have believed; like many other agents in the literary field, Lu Xun was actively involved in power struggles over what was at stake in the field; Lu Xun was later built into an iconic figure and the blind worship of him hindered a better and more authentic understanding of many other modern writers and intellectuals such as Gao Changhong and Zhou Zuoren, whose complex relationships with Lu Xun are fully explored and analysed in the book.
999			_c3753 _d3753